THE PASSION OF JOAN OF ARC (1928)

Film of the Day #247

THE PASSION OF JOAN OF ARC
1928 • Carl Theodor Dreyer

Cast: Maria Falconetti, Eugène Silvain, André Berley, Maurice Schutz, Jean d'Yd, Antonin Artaud, Michel Simon, Alexandre Mihalesco, Léon Larive
Writers: Joseph Delteil, Carl Theodor Dreyer based on historical transcripts
Cinematography: Rudolph Maté
Music: Léo Pouget, Victor Alix (original composition)

Société Générale des Films

Dear God, I accept my death gladly but do not let me suffer too long. Will I be with You tonight in Paradise?

The Passion of Joan of Arc by Carl Theodor Dreyer was one of the earliest adaptations of the Joan of Arc story, setting the stage for future explorations of the historical figure. Its influence on modern filmmaking is undeniable, with Dreyer employing innovative techniques that were ahead of its time. The film's dynamic pacing, achieved through extensive cutting and editing, rare for the time, creates a sense of urgency and contributes to a faster pace compared to other silent films of the era.

Dreyer's dedication to authenticity is evident as he used transcripts from Joan of Arc's trial to craft the script. The film unfolds as Joan faces a group of overbearing men interrogating her during the trial. The cinematography cleverly contrasts Joan's soft lighting with the harsh illumination of the men, emphasizing her singular vision amidst their skepticism.

The Passion of Joan of Arc is a visual masterpiece that explores themes of belief, fear, and martyrdom. The cinematography of the film is truly remarkable, characterized by its extensive use of close-ups and tracking shots. Dreyer's decision to shoot almost exclusively in close-ups, with minimal medium and long shots, intensifies the emotional impact of the film.

Maria Falconetti's portrayal of Joan in The Passion of Joan of Arc is not merely a remarkable performance within the realm of silent film; it stands as, without hyperbole, one of the best performances in the history of cinematic acting. The film's extraordinary impact is undeniably rooted in Falconetti's ability to convey the complexities of Joan's character through the subtle nuances of her facial expressions.

In an era dominated by grand gestures and theatrical acting, Falconetti brought a level of emotional depth and authenticity that was groundbreaking. Her face became the primary storytelling device, and every flicker of emotion, every tear shed, and every fleeting expression played a crucial role in telling Joan's tragic story. The intense scrutiny of the camera's close-ups demanded a level of emotional vulnerability and nuance that Falconetti delivered with unparalleled brilliance.

What makes Falconetti's performance even more remarkable is the fact that The Passion of Joan of Arc was not only her first but also her last film appearance. Her decision to step into the role of Joan marked the beginning and end of her film career, making her contribution all the more poignant. It's as if Falconetti poured her entire being into this single performance, leaving an indelible mark on the history of film.

The intensity and depth of Falconetti's emotional interpretation of Joan's character resonate long after the final frame of the film. Her ability to convey Joan's inner turmoil, conviction, and vulnerability without uttering a single word is a testament to the power of silent cinema. Falconetti's performance transcends the limitations of the medium, creating an emotional connection with the audience that is both immediate and enduring.

At its core, The Passion of Joan of Arc is a film that delves into the depths of belief, fear, and the ultimate sacrifice of martyrdom. Through the use of close-ups, the audience is immersed in Joan's perspective, fostering a deep connection with her tragic journey. By the time we reach the climactic burning at the stake, the audience has experienced the world through Joan's eyes, heightening the emotional resonance of her fate.

You claim that I am sent by the Devil. It's not true. To make me suffer, the Devil has sent you... and you... and you... and you.

Notable Awards & Accomplishments

• National Board of Review - Top Foreign Film

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